CURRICULUM VITAE
Bibliographie
La bibliographie qui suit rassemble des études sur les zines publiées en langues anglaise et française. Elle s’appuie sur plusieurs efforts précédents (voir Dodge, 1998 ; Hays, 2020 ; Macquarie, 2011 ; Rauch, 2021 ; Zobl, 2003) et constitue donc la bibliographie la plus complète à ce jour sur le sujet.
Ce projet a d’abord été publié en 2023 par Antoine Lefebvre éditions, en tant que 17e numéro de son projet de recherche ouvert et collaboratif Artzines. La bibliographie est mise à jour de façon irrégulière pour inclure les nouvelles recherches sur les zines. De nouveaux corpus de recherche disponibles sont également intégrés au fur et à mesure de l’évolution de la recherche sur les zines, incluant la recherche sur le mail art ou les publications d’artiste proches des zines, tous deux sous-représentés dans l’état actuel de la bibliographie.
Artist periodicals
A
Affleck, El, and Lilith Cooper. “Burn After Reading: Intimate Practices of Queer Zine Making.” Zines. An International Journal on Amateur and DIY Media, no. 3-Feminist and Queer Zines in a Transglobal World II / II, 2021, pp. 20–31.
Alcantara-Tan, Sabrina Margarita. “The Herstory of "Bamboo Girl" Zine.” Frontiers: A Journal of Women Studies, vol. 21, no. 1/2, 2000, pp. 159–70.
Aldaraji, Janna. “Feeling Bodies, Feeling Borders: A Collective Exploration of Racialisation & Bordering in Britain.” New Sociological Perspectives, vol. 1, no. 1, 2021, pp. 6–22.
Alexander, Jonathan. “Digital Spins: The Pedagogy and Politics of Student-Centered E-Zines.” Computers and Composition, vol. 19, no. 4, 2002, pp. 387–410.
Alix, Sylvie. Graphzines et autres publications d’artistes. Bibliothèque et Archives nationales du Québec, 2007.
Almer, Jiří. “‘The Wild Underground Extreme of Human Rights and Ecological Activities’: Czechoslovak, Czech and Slovenian Hardcore Punk Fanzine Cultures from the 1980s to the Present.” Forum Historiae, vol. 14, no. 1, 2020, pp. 75–91.
Alyea, Brooke. Zines as a Pedagogy of Hope for Adolescent Girls. York University, 2012.
Androutsopoulos, Jannis. Displays of Subcultural Identity in Mediated (Printed) Discourse. 1999.
Androutsopoulos, Jannis K. “Non-Standard Spellings in Media Texts: The Case of German Fanzines.” Journal of Sociolinguistics, vol. 4, no. 4, 2000, pp. 514–33.
Angell, Katelyn (Kate). “Feminist Archives: Archiving Grrrl Style Now.” Feminist Collections, vol. 31, no. 4, 2010, pp. 16–19.
Anggawi, Sophie Mahakam. “Products of Protest? The Creative Protest Potential of Zines on Bali.” The Asia Pacific Journal of Anthropology, vol. 23, no. 1, 2022, pp. 59–77.
antoine lefebvre editions, and Laura Morsch-Kihn. “A Look Back at Copie Machine: Temporary Photocopy Zones.” Zines. An International Journal on Amateur and DIY Media, no. 4, 2022, pp. 59–70.
Armstrong, David. A Trumpet to Arms. Alternative Media in America. South End Press, 1981.
Armstrong, Jayne. DIY Feminism: A Dialogical Account. University of East London, 2009.
---. “Web Grrrls, Guerrilla Tactics: Young Feminisms on the Web.” Web. Studies, vol. 2, no. 2, 2004, pp. 92–102.
Arroyo-Ramirez, Elvia, et al. The Reach of a Long-Arm Stapler: Calling in Microaggressions in the LIS Field through Zine Work. no. 1, 2018, pp. 107–30.
Ashtari, Atyeh, et al. “The Joy of Many Stories: Zine-Making and Story-Mapping in Planning Pedagogy.” Planning Practice & Research, 2022, pp. 1–18.
Assadi, Younis. Le supportérisme, un engagement militant? Le fanzine When Saturday Comes, support de la politisation des tribunes britanniques (mars 1986-septembre 1992). Université Rennes 2, 2021.
Atton, Chris. Alternative Media. Sage, 2002.
---. “Anarchy and Sexuality in the UK: Five British Zines and a Pamphlet.” Counterpoise, vol. 3, no. 3/4, 1999, p. 44.
---. “Fanzines: Enthusiastic Production Through Popular Culture.” The Routledge Companion to Alternative and Community Media, by Chris Atton, Routledge, 2015, pp. 437–44.
---. “Football Fanzines and Local News.” Local Journalism and Local Media: Making the Local News, by Bob Franklin, Routledge, 2006, pp. 280–89.
---. “In Search of Cultural Politics in a Fall Fanzine.” Mark E. Smith and The Fall: Art, Music and Politics, by Michael Goddard and Benjamin Halligan, Ashgate, 2010, pp. 169–80.
---. “Infoshops in the Shadow of the State.” Contesting Media Power: Alternative Media in a Networked World, by James Curran and Nick Couldry, Rownman and Littlefield, 2003, pp. 57–69.
---. “‘Living in the Past’?: Value Discourses in Progressive Rock Fanzines.” Popular Music, vol. 20, no. 1, 2001, pp. 29–46.
---. “Popular Music Fanzines: Genre, Æsthetics, and the ‘Democratic Conversation.’” Popular Music and Society, vol. 33, no. 4, 2010, pp. 517–31.
---. “Sociologie de la presse musicale alternative en Grande Bretagne.” Volume ! La revue des musiques populaires, translated by Emmanuel Parent, vol. 5, no. 1, 2006, pp. 7–25.
---. “The Infoshop: The Alternative Information Centre of the 1990s.” New Library World, vol. 100, no. 1, 1999, pp. 24–29.
---. “The Nature and Value of Alternative Literature.” Alternative Literature: A Practical Guide for Librarians, Gower, 1996, pp. 15–37.
---. “Writing About Listening: Alternative Discourses in Rock Journalism.” Popular Music, vol. 28, no. 1, 2009, pp. 53–67.
Audebert, Sixtine. “Présence et usages des imaginaires sériels dans les fanzines de metal français (1985-1990).” À l’épreuve: Revue des sciences humaines et sociales, no. 8, 2021, n. p.
Aul, Billie. “Zines in Libraries.” Information for Social Change, vol. 3, 1996, pp. 25–26.
---. “Zines Versus the Serials Librarian.” Serials Review, vol. 21, no. 2, 1995, pp. 81–82.
B
Bachelet, Rémy. La scène punk rock de Chicago entre 1979 et 1991. Université de Bourgogne, 2014.
Bacon-Smith, Camille. Enterprising Women: Television Fandom and the Creation of Popular Myth. University of Pennsylvania Press, 1992.
Bagelman, Jen. “Zines: Crafting Change and Repurposing the Neoliberal University.” ACME: A International Journal for Critical Geographies, vol. 15, no. 2, 2016, pp. 365–92.
Bailey, Steven, and Anita Michel. “The Photocopied Self. Perzines, Self-Construction, and the Postmodern Identity Crisis.” Reconstruction: Studies in Contemporary Culture, vol. 4, no. 2, 2004, n. p.
Baker, Sarah, and Zelmarie Cantillon. “Zines as Community Archive.” Archival Science, vol. 22, no. 4, 2022, pp. 539–61.
Barnewitz, Max. “Creating an Embodied Queer Pedagogy.” Zines. An International Journal on Amateur and DIY Media, no. 3-Feminist and Queer Zines in a Transglobal World II / II, 2021, pp. 9–19.
Bartel, Julie. From A to Zine: Building a Winning Zine Collection in Your Library. American Library Association, 2004.
---. “The Salt Lake City Public Library Zine Collection.” Public Libraries, vol. 42, no. 4, 2003, pp. 232–39.
Barth, Jack. “Fanzines.” Film Comment, vol. 21, no. 2, 1985, pp. 24-28,30.
Barton, Joshua, and Violet Fox. Zine Cataloging. A Guide for Libraries and Independent Collections. Litwin Books and Library Juice Press, Forthcoming,
Barton, Joshua, and Patrick Olson. “Cite First, Ask Questions Later? Toward an Ethic of Zines and Zinesters in Libraries and Research.” The Papers of the Bibliographical Society of America, vol. 113, no. 2, 2019, pp. 205–16.
Basinski, Michael. “Poetry Zines.” Serials Review, vol. 21, no. 2, 1995, pp. 84–86.
Bates, Dawn, and Maureen C. McHugh. “Zines: Voices of Third Wave Feminism.” Different Wavelengths: Studies of the Contemporary Women’s Movement, by Jo Reger, Routledge, 2005, pp. 179–94.
Batey, Jackie. “Are You Okay? Visual Narratives and Authorial Illustration in Art Zines from the Zineopolis Collection.” Information, Medium and Society: Journal of Publishing Studies, vol. 18, no. 1, 2020, pp. 1–12.
---. “Art-Zines, The Self-Publishing Revolution: The Zineopolis Art-Zine Collection.” International Journal of the Book, vol. 9, no. 4, 2012, pp. 69–86.
---. “Satirical Zines About Computers, Apps and Social Media: Art-Zines from the Zineopolis Collection.” 4th International Conference on Illustration and Social Media. Art-Zines from the Zineopolis Collection, 2016, pp. 96–107.
Bayerl, Katherine. “Mags, Zines, and GURLs: The Exploding World of Girls’ Publications.” Women’s Studies Quarterly, vol. 28, no. 3/4, 2000, pp. 287–92.
Bébié-Valérian, Gaspard. Faites le vous-même : des fanzines au don à l’étalage, positions d’autonomie créatives. 2009, pp. 1-17.
Belanger, Amy. “Talking About Zines: Halifax’s Anchor Archive Zine Library.” YA Hotline, no. 102, 2016, pp. 7–10.
Belin, Olivier. “Au pays des fanzines : De la presse alternative à l’archive instituée.” Societés & Representations, no. 50, 2020, pp. 165–73.
Bell, Brandi Leigh-Ann. “Riding the Third Wave: Women-Produced Zines and Feminisms.” Resources for Feminist Research, vol. 29, no. 3/4, 2002, pp. 187–98.
---. “Women-Produced Zines Moving into the Mainstream.” Canadian Woman Studies, vol. 21, no. 1, 2001, pp. 56–60.
Bell, Lucy, and Patrick O’Hare. “Latin American Politics Underground: Networks, Rhizomes and Resistance in Cartonera Publishing.” International Journal of Cultural Studies, vol. 23, no. 1, 2020, pp. 20–41.
Belleville, Rebecca. “Blogging, Zines, and Narratives: New Dialogues in Art History.” Art Education, vol. 67, no. 2, 2014, pp. 14–18.
Berger, Albert I. “Science-Fiction Fans in Socio-Economic Perspective: Factors in the Social Consciousness of a Genre.” Science Fiction Studies, vol. 4, no. 3, 1977, pp. 232–46.
Bernache-Assollant, Iouri, et al. Les groupes de supporters ultras à Marseille : des modes de gestion identitaire différents ? no. 4, 2007, pp. 247–65.
Bernache-Assollant, Iouri, and Patrick Bouchet. “Les fanzines: Un média identitaire des groupes de supporters Ultras de football.” Sciences de la société, no. 72, 2007, pp. 77–92.
Bernière, Vincent, and Mariel Primois. Punk Press: L’histoire d’une révolution esthétique, 1969-1979. Éditions de La Martinière, 2012.
Berthomier, Maud. De la musique et des mots. La critique rock à l’aune de la littérature (1966-1975). Université de Poitiers/Concordia University, 2012.
Berthoud, Heidy. “Going to New Sources: Zines at the Vassar College Library.” The Serials Librarian, vol. 72, no. 1–4, 2017, pp. 49–56.
---. “My Life as a ‘Like-Minded Misfit,’ or, Experiences in Zine Librarianship.” Serials Review, vol. 44, no. 1, 2018, pp. 4–12.
Berthoud, Heidy et al.. Zine Librarians Code of Ethics. Zine Librarians Interest Group, 2015.
Biel, Joe. Make a Zine: When Words and Graphics Collide. Microcosm Publishing, 2014.
Bimson, Joan. Hard Wired for Heroes: A Study of Punk Fanzines, Fandom and the Historical Antecedents of the Punk Movement. John Moores University, 2006.
Bird, Amanda, et al. “Assembled in the Margins: The History and Culture of Zines.” YA Hotline, no. 83, 2008, pp. 5–9.
Black, Bob. Beneath the Underground. Feral House, 1994,
Black, Jason Owen. From Audience to Public: Comic Book Fanzines in the Seventies and Eighties. Michigan State University, 2014.
Blake, Anna. Analysis of Twenty-First Century Zines. University of Louisville, 1 2020.
Bleyer, Jennifer. “Cut-and-Paste Revolution: Notes from the Girl Zine Explosion.” The Fire This Time: Young Activists and the New Feminism, by Vivien Labaton and Dawn Lundy Martin, Anchor Books, 2004, pp. 42–60.
Block, Francesca Lia, and Hillary Carlip. Zine Scene: The Do It Yourself Guide to Zines. Girl Press, 1998.
Bly, Elizabeth Ann. Generation X and the Invention of a Third Feminist Wave. Case Western Reserve University, 2010.
Bly, Liz, and Kelly Wooten. Make Your Own History: Documenting Feminist and Queer Activism in the 21st Century. Litwin Books, 2012.
Bobel, Chris. “‘Our Revolution Has Style’: Contemporary Menstrual Product Activists ‘Doing Feminism’ in the Third Wave.” Sex Roles, vol. 54, no. 5, 2006, pp. 331–45.
Bocquet, José-Louis. Franquin et les Fanzines. Dupuis, 2013.
Boeckmann, Melanie. “Representations of the Female Body in Feminist Zines.” Health, Culture and the Human Body. Epidemiology, Ethics and History of Medicine. Perspectives from Turkey and Central Europe, by Ilhan Ilkiliç et al., Besikcizade Center for Medical Humanities Press, 2014, pp. 659–64.
Boellstorff, Tom. “Zines and Zones of Desire: Mass-Mediated Love, National Romance, and Sexual Citizenship in Gay Indonesia.” The Journal of Asian Studies, vol. 63, no. 2, 2004, pp. 367–402.
Boivent, Marie. La Revue d’artiste: Enjeux et spécificités d’une pratique artistique. Incertain sens, 2015.
Bold, Melanie Ramdarshan. “Why Diverse Zines Matter: A Case Study of the People of Color Zines Project.” Publishing Research Quarterly, vol. 33, no. 3, 2017, pp. 215–28.
Bolino, Pakito, et al. Mondo Dernier Cri: Une internationale sérigraphike. Musée international des arts modestes, 2020.
Bonoron, Alexandrine. “‘Une oasis d’horreur dans un désert d’ennui’. ToiletPaper et le kitsch éditorial.” Zines. An International Journal on Amateur and DIY Media, no. 4, 2022, pp. 18–30.
Bošković, Aleksandar. “Thinking Film: Cinefied Materiality in Slobodan Šijan’s Fanzine Film Leaflet (1976-1979).” Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, no. 8, 2019, pp. 1–29.
Botimer, Constantine, and Amanda Peach. “The Zine Collection at Hutchins Library.” Kentucky Libraries, vol. 81, no. 4, 2017, pp. 13–16.
Bott, Christie. “Zines.The Ultimate Creative Writing Project.” The English Journal, vol. 92, no. 2, 2002, pp. 27–33.
Boulanger, Anna, et al., (editors). Les mains sales: Les arts imprimés à l’ouvrage. Éditions Le Marché noir, 2022.
Boulanger, Sylvie, and Ulises Carrión. No-ISBN: On Self-Publishing. Edited by Bernhard Cella et al., Walther König, 2016.
Bourgoin, Marie. “Fanzinothèque.” Punk Is Not Dead. Lexique franco-punk, by Solveig Serre and Luc Robène, Éditions Nova, 2019, n. p. [044].
Bourgoin, Marie, and Matthieu Rémy. Fanzinorama. Une histoire de la bande dessinée underground. Hoëbeke, 2019.
Brager, Jenna, and Jami Sailor, (editors). Archiving the Underground. Litwin Books & GSE Research, 2012.
Branwyn, Gareth. “The Passion Press.” Jamming the Media, Chronicle Books, 1997, pp. 52–85.
Bréan, Simon. “L’érudition de science-fiction en France : repères bibliographiques.” ReS Futurae. Revue d’études sur la science-fiction, no. 1, 2012, n. p.
---. “Les érudits de la science-fiction en France, une tradition critique endogène.” ReS Futurae : Revue d’Études sur la Science-fiction, no. 1, 2012, pp. 1–20.
Breen, Paul, and Paddy Hoey. “The Future of Football Fanzines: Have They Lost Their Voice in This Digitalised and Deregulated Age?” The Political Quarterly, 2022, pp. 1–5.
Brent, Bill. Make a Zine!, Black Book, 1997.
Brett, Jeremy. “‘Deep in the Heart of Texzines:’ Developing an Archival Zine Collection.” Technical Services Quarterly, vol. 32, no. 4, 2015, pp. 390–401.
Brewster, Bill. “When Saturday Comes” and Other Football Fanzines. no. 1, 1993, pp. 14–21.
Briottet, Soizic. Incarnations visuelles et politiques des communautés en lutte en France et pays limitrophes: conquêtes des zines queer depuis 2010. Université Lumière Lyon 2, 2020.
Britton, Siobhan. What We Do Is Secret? A Study of Issues Relating to the Collection, Care, and Accessibility of Zines in Institutional and Alternative Collections in the UK. University College, 2013.
---. “What We Do, Is (Still) Secret? Collection, Care and Accessibility of Zines in UK Collections.” Art Libraries Journal, vol. 43, no. 2, 2018, pp. 72–76.
Bronson, AA, and Philip Aarons. Queer Zines. 2nd ed., Printed Matter Inc., 2013.
Bronson, AA, and Philip Aarons. Queer Zines 2. Printed Matter Inc., 2014.
Brousseau, Hélène, and Jessica Hébert. “Off the Grid: Exploring the Human Networks in Underground Art Making and Collection Building.” Collection Thinking: Within and Without Libraries, Archives and Museums, by Jason Camlot et al., Routledge, 2022, pp. 1–17.
Brouwer, Daniel. “Risibility Politics: Camp Humor in HIV/AIDS Zines.” Public Modalities: Rhetoric, Culture, Media, and the Shape of Public Life, The University of Alabama Press, 2010, pp. 219–39.
Brouwer, Daniel C. “Counterpublicity and Corporeality in HIV/AIDS Zines.” Critical Studies in Media Communication, vol. 22, no. 5, 2005, pp. 351–71.
---. The Charisma of ‘Responsibility’: A Comparison of US Mainstream Representations of Gay Men with AIDS in US AIDS ‘Zines. Northwestern University, 1995.
Brouwer, Daniel C., and Adela C. Licona. “Trans (Affective) Mediation: Feeling Our Way from Paper to Digitized Zines and Back Again.” Critical Studies in Media Communication, vol. 33, no. 1, 2016, pp. 70–83.
Brouwer, Daniel Charles. Representations of Gay Men with HIV/AIDS across Scenes of Social Controversy: A Contribution to Studies in the Public Sphere. Northwestern University, 2000.
Brown, Andy. “On the Comics of Fish Piss.” BDQ. Essays and Interviews on Quebec Comics, Conundrum Press, 2017, pp. 166–73.
Brown, Autumn, et al. “Zines as Reflective Evaluation Within Interdisciplinary Learning Programmes.” Frontiers in Education, vol. 6, 2021, pp. 1–10.
Brumfield, Dale M. Richmond Independent Press: A History of the Underground Zine Scene. History Press, 2013.
Bryant, Peter. “If a Tree Falls in the Forest: The Role of Community Formation and the Power of the Individual in Zine Making Participation.” Online Journal of Communication and Media Technologies, vol. 4, no. 3, 2014, pp. 78–100.
Bryant, Peter James. Choosing Zines: Defining the Constructs That Influence the Decision to Participate in the Practice of Zine-Making in the Digital Age. University of Technology, 2017.
Buchanan, Rebekah. “Zines in the Classroom: Reading Culture.” English Journal, vol. 102, no. 2, 2012, pp. 71–77.
Buchanan, Rebekah J. Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics. Peter Lang, 2018.
Buchanan, Rebekah Joy. Zine Narratives: Subjectivities and Stories of Five Influential Zine Creators. Temple University, 2009.
Buckingham, David. “Real Girl Power? Representing Riot Grrrl.” Growing Up Modern. Childhood, Youth and Popular Culture Since 1945, Self-Published, 2019.
Bureau, Eric. Nineteen (1982-1988). Vie et mort d’un magazine de rock toulousain. Institut de journalisme Bordeaux Aquitaine, 1994.
Burkholder, Casey, et al. “Zine Production with Queer Youth and Pre-Service Teachers in New Brunswick, Canada: Exploring Connections, Divergences, and Visual Practices.” Canadian Journal of Education, vol. 44, no. 1, 2021, pp. 89–116.
Byers, Lyla, and Anthony Kwame Harrison. “You Should Major in Zines: Unconventional Pedagogies in Higher Education.” Zines. An International Journal on Amateur and DIY Media, vol. 1, no. 1, 2020, pp. 7–18.
C
Callaghan, Holly. “UK and Ireland Zine Librarians: Doing It Ourselves.” Art Libraries Journal, vol. 43, no. 2, 2018, p. 106.
Camarillo, Wilma I. Houston Punk Fanzines And Print Culture: 1979-1989. University of Houston, 2022.
Cameron, Paula. “‘I Still Have My Hands’: Rural Women, Depression, and Zines.” Working the Margins of Community-Based Adult Learning, by Shauna Butterwick and Carole Roy, Sense Publishers, 2016, pp. 15–25.
Cameron, Paula Suzette. Seamfulness: Nova Scotian Women Witness Depression Through Zines. University of Toronto, 2012.
Campion, Minerva. “The Use of Fanzines as Pedagogical Tools in the University: Fostering DIY Cultures and Academic Research.” Keep It Simple, Make It Fast!: An Approach to Underground Music Scenes, vol. 4, by Paula Guerra and Thiago Pereira Alberto, University of Porto Faculdade de letras, 2019, pp. 170–78.
Capart, Philippe, et al. “La bande dessinée à Liège: L’Aurore des fanzineux.” Revue des historiens de l’art, des archéologues et des musicologues de l’Université de Liège, no. 31, 2012, pp. 51–63.
Cariolle, Gabrielle. Performative Authorship in Zine, Self and Micro-Publishing. Instituto Politécnico do Cavado e do Ave, 2018, pp. 314–24.
Carlip, Hillary. “Riot Grrrls.” Girl Power, Grand Central Publishing, 2009, pp. 30–61.
Carlton, S. “The Salford Zine Library Cataloguing Project.” Catalogue & Index, no. 178, 2015, pp. 22–23.
Carlton, S. B., and Ingrid Francis. “Everyone Has Something Worthwhile to Say: An Introduction to Salford Zine Library.” Art Libraries Journal, vol. 43, no. 2, 2018, pp. 101–05.
Casado, Laura López. “Casado, Laura Lopez. Queer Zines in Madrid in 1990’s.” Keep It Simple, Make It Fast!: An Approach to Underground Music Scenes, vol. 4, by Paula Guerra and Thiago Pereira Alberto, University of Porto Faculdade de letras, 2019, pp. 342–52.
---. “Problematizing the Methodology: Challenges, Conflicts, and Contradictions in the Study of Queer-Feminist Zines in the Iberian Peninsula.” Zines. An International Journal on Amateur and DIY Media, vol. 1, no. 1, 2020, pp. 29–36.
---. “The Space in the Iberian Feminist Queer Zines.” Keep It Simple, Make It Fast!: An Approach to Underground Music Scenes, vol. 5, by Paula Guerra and Sofia Sousa, University of Porto Faculdade de letras, 2022, pp. 274–81.
Chadaigne, Pierre. Les fanzines de bande dessinée en France : des origines à aujourd’hui. Paris 2, 1993.
Chappell, Duncan. “Typologising the Artist’s Book.” Art Libraries Journal, vol. 28, no. 4, 2003, pp. 12–20.
Charvát, “‘Tis with the Chalice That We’ll Defend Our Country against the Cross...’ Analysing and Comparing the Contents of the Neo-Nazi Fanzine Skinformátor and the Utraquist Zine Kalich.” Forum Historiae, vol. 14, no. 1, 2020, pp. 92–115.
Chauveau, Sylvain. Les fanzines : Une presse parallèle. Un état des lieux du fanzinat français en 1995. École de journalisme de Toulouse, 1996.
Chenevey, Liz. “Embodied Care: Exploring Mental Health Zines as Feminist Health Resources.” Zines. An International Journal on Amateur and DIY Media, no. 2-Feminist and Queer Zines in a Transglobal World I / II, 2021, pp. 33–40.
Chepesiuk, Ron. “The Zine Scene: Libraries Preserve the Latest Trend in Publishing.” American Libraries, vol. 28, no. 2, 1997, pp. 68–70.
Chidgey, Red. “Developing Communities of Resistance? Maker Pedagogies, Do-It-Yourself Feminism and DIY Citizenship.” DIY Citizenship: Critical Making and Social Media, by Megan Boler and Matt Ratto, MIT Press, 2014, pp. 73–85.
---. “Feminist Media. Participatory Spaces, Networks and Cultural Citizenship.” Hand-Made Memories: Remediating Cultural Memory in DIY Feminist Networks, by Elke Zobl and Ricarda Drüeke, Transcript-Verlag, 2014, pp. 87–97.
---. “Free, Trade: Distribution Economies in Feminist Zine Networks.” Signs: Journal of Women in Culture and Society, vol. 35, no. 1, 2009, pp. 28–37.
---. “Reassess Your Weapons: The Making of Feminist Memory in Young Women’s Zines.” Women’s History Review, vol. 22, no. 4, 2013, pp. 658–72.
---. “Rumours from Around the Bloc: Gossip, Rhizomatic Media, and the Plotki Femzine.” Feminist Media Studies, vol. 9, no. 4, 2009, pp. 477–91.
---. “The Resisting Subject. Per-Zines as Life Story Data.” Journal of Contemporary History, vol. 10, 2006, pp. 1–13.
---. “Zine Culture.” The International Encyclopedia of Gender, Media, and Communication, Wiley, 2020, pp. 1–5.
Christensen, Danille Elise. “Materializing the Everyday:‘Safe’ Scrapbooks, Aesthetic Mess, and the Rhetorics of Workmanship.” Journal of Folklore Research, vol. 54, no. 3, 2017, pp. 233–84.
Chu, Julie. “Navigating the Media Environment: How Youth Claim a Place Through Zines.” Social Justice, vol. 24, no. 3 [69], 1997, pp. 71–85.
Chudolinska, Marta. “Information Access to Zine Collections.” Faculty of Information Quarterly, vol. 2, no. 3, 2010, pp. 1–13.
Churnside, Angeline, and Hamish Noonan. “Amplifying Diverse Voices: Collaborating and Combining Staff Expertise to Improve Access and Promote Auckland Libraries’ Zines.” New Zealand Library & Information Management Journal, vol. 56, no. 1, 2016, pp. 27–30.
Cioffi, Frank Louis. Genesis of a Genre: American Science Fiction of the Nineteen-Thirties. Indiana University, 1980.
Civins, Naomi. Self-Expression, DIY Skills Acquisition and Connectivity: Domain Grrls Creating Personal Homepages at the Turn of the Millennium. Swinburne University, 2016.
Clark, Ethan. Stories Care Forgot. An Anthology of New Orleans Zines. Last Gasp, 2015.
Clark-Parsons, Rosemary. Doing It Ourselves: The Networked Practices of Feminist Media Activism. University of Pennsylvania, 2018.
---. “Feminist Ephemera in a Digital World: Theorizing Zines as Networked Feminist Practice.” Communication, Culture and Critique, vol. 10, no. 4, 2017, pp. 557–73.
Coavoux, Samuel. “« Life Itself ». L’engagement d’Howard Philips Lovecraft dans le journalisme amateur.” COnTEXTES. Revue de sociologie de la littérature, no. 15, 15, 2015, pp. 1–18.
Cogan, Brian. “‘Was He Safe or Was He Out?’: Sports Zines and Questions of Authenticity.” Journal of Popular Culture, vol. 40, no. 5, 2007, pp. 808–30.
Cohen, Barbara. “The Zine Project: Writing With a Personal Perspective.” Language Arts, vol. 82, no. 2, 2004, pp. 129–38.
Coker, Catherine. “The Angry! Textual! Poacher! Is Angry! Fan Works as Political Statements.” Fan Culture: Theory/Practice, by Katherine Larsen, Cambridge Scholars Publishing, 2012, pp. 81–96.
---. “The Margins of Print? Fan Fiction as Book History.” Transformative Works and Cultures, no. 25, 2017, n. p.
Collectif. Crack ! Utopie & Micro-Édition Contre U.D.I.Y. (Un-Do It Yourself). La Fanzinothèque de Poitiers, 2014.
Collingwood, Ruth, and Leila Kassir. “Gathering the Margins: The London College of Communication Library Zine Collection.” Art Libraries Journal, vol. 43, no. 2, 2018, pp. 82–87. Cambridge University Press.
Collins, Dana. “No Experts: Guaranteed!": Do-It-Yourself Sex Radicalism and the Production of the Lesbian Sex Zine Brat Attack.” Signs: Journal of Women in Culture and Society, vol. 25, no. 1, 1999, pp. 65–89.
Comstock, Michelle. “Grrrl Zine Networks: Re-Composing Spaces of Authority, Gender, and Culture.” JAC, vol. 21, no. 2, 2001, pp. 383–409.
Comstock, Michelle Robin. Re-Mapping the Territory of" Youth": Youth-Generated Sites of Rhetorical, Cultural, and Political Practice. Purdue University, 1999.
Congdon, Kristin G., and Doug Blandy. “Zinesters in the Classroom: Using Zines to Teach about Postmodernism and the Communication of Ideas.” Art Education, vol. 56, no. 3, 2003, pp. 44–55.
Cook, Michael L. Mystery Fanfare: A Composite Annotated Index to Mystery and Related Fanzines, 1963-1981. Popular Press, 1983.
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